The $12 Million Stuffed Shark

The Curious Economics of Contemporary Art

Don Thompson

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Geisteswissenschaften, Kunst, Musik / Kunst

Beschreibung

Why would a smart New York investment banker pay twelve million dollars for the decaying, stuffed carcass of a shark? By what alchemy does Jackson Pollock’s drip painting No.5 1948 sell for $140 million?

'The $12 Million Dollar Stuffed Shar'k is the first book to look at the economics of the modern art world, and the marketing strategies that power the market to produce such astronomical prices. Don Thompson talks to auction houses, dealers, and collectors to find out the source of Charles Saatchi’s Midas touch, and how far a gallery like White Cube has contributed to Damien Hirst becoming one of the highest-earning artists in the world.

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Schlagwörter

contemporary art market, economics of modern art, gallery owners, art and money, auction houses, art and business, taste makers, modern art world, british art galleries, curators, contemporary artists, contemporary art, White Cube gallery, auctioneers, contemporary art world, rich artists, economics of art and culture, Jackson Pollock, modern artists, Charles Saatchi, art branding, marketing strategies in modern art, business of art, billionaire art buyers, dealers, freakonomics, british art, drip painting No.5, art fair organizers, artists, marketing of modern art, art deals, tate modern, saatchi gallery, Damien Hirst, White Cube, modern art marketing, Sotheby's, Jeff Koons, art dealerships, whitechapel gallery, art buyers, billionaire art deals, Jackson Pollock' s drip painting No.5, Charles Saatchi' s Midas touch, artists reputation, economics of art, high earning artists, collectors, Andy Warhol, marketing of contemporary art, Christie's, economics of contemporary art, marketing strategies, art market, Tracey Emin, modern art