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The Situationist International

A Critical Handbook

Alastair Hemmens (Hrsg.), Gabriel Zacarias (Hrsg.)

EPUB
ca. 35,99
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Sozialwissenschaften, Recht, Wirtschaft / Politikwissenschaft

Beschreibung

From its foundation in 1957 to its self-dissolution in 1972, the Situationist International established itself as one of the most radical revolutionary organisations of the twentieth century.

This book brings together leading researchers on the SI to provide a comprehensive critical analysis of the group’s key concepts and contexts, from its relationship to earlier artistic avant-gardes, romanticism, Hegelianism, the history of the workers’ movement and May ’68 to the concepts and practices of ‘spectacle’, ‘constructed situations’, ‘everyday life’ and ‘détournement’. The volume also considers historically underexamined areas of the SI, including the situation of women in the group and its opposition to colonialism and racism.

With contributions from a broad range of thinkers including Anselm Jappe and Michael Löwy, this account takes a fresh look at the complex workings of a group that has come to define radical politics and culture in the post-war period.

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Schlagwörter

student movement, Michael Lowry, revolutionary workers' movement, Marxism, Algeria, Anslem Jappe, Lettrism, Romanticism, constructed situation, workers, détournement, Hegelianism, alienated labour, Surrealism, colonialism, Dadaism, le Corbusier, France, subjectivity, Lukács, everyday life, language, internationalism, alienation, women, Marx, situationism, anticapitalism, Dada, work, Raoul Vaneigem, capitalism, consumerism, Indo-China, psychogeography, revolution, unitary urbanism, Civil Rights Movement, May 1968, Asger Jorn, French philosophy, Congo, philosophy, recuperation, Hegel, avant-garde, Guy Deboard, critical theory, theatre, society of the spectacle, cinema, May 68, antiart, dérive, The Situationist International, spectacle, Michèle Bernstein, labour, Guy Debord, Watts riots, literature, racism, anti-cinema, art, film