Leseprobe
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Phenomenology and the Arts: Logos and Aisthesis
Thomas Nenon (Hrsg.), Kwok-Ying Lau (Hrsg.)
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Springer International Publishing 
Geisteswissenschaften, Kunst, Musik / Allgemeines, Lexika
Beschreibung
This volume examines the great varieties of artistic experience from first hand phenomenological descriptions. It features detailed and concrete analyses which provides readers with in-depth insights into each specific domain of artistic experience. Coverage includes phenomenological elucidation of the aesthetic attitude, the power of imagination, and the logic of sensibility. The essays also detail concrete phenomenological analyses of aesthetic experiences in poetry, painting, photography, drama, architecture, and urban aesthetics.
The book contains essays from "Logos and Aisthesis: Phenomenology and the Arts," an international conference held at the Chinese University of Hong Kong. It brings together a team of top scholars from both the East and the West and offers readers a global perspective on this interesting topic. These innovative, yet accessible, essays, will benefit students and researchers in philosophy, aesthetics, the arts, and the humanities. They will also beof interest to specialists in phenomenology.
Kundenbewertungen
Digital Technology and Phenomenology, Phenomenology of the imaginary, Zhu Guangqian, Merleau-Ponty’s Eye and Mind, Qianlong Di, Heidegger’s ‘Origin of the Work of Art’, Rhythm and Metaphor in Dramatic Language, Husserlian Account of the Power of the Imaginary, Phenomenology of poetry, Aristotle’s Phenomenology of Perception, Phenomenology of drama, Phenomenology of photography, Phenomenology of the arts, Aisthesis and Logos, Phenomenology of architecture, Phenomenology of painting, Optic and the Haptic in Merleau-Ponty’s Thought, Phenomenology of urban aesthetics, Aesthetic attitude, Kandinsky and the Multi-Dimensionality of Colors