Heidegger and Future Presencing (The Black Pages)
Spencer Golub
* Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.
Springer International Publishing
Geisteswissenschaften, Kunst, Musik / Sonstiges
Beschreibung
This book applies Heidegger’s writings to experimental fictions and film genres in order to study a being-there that performs itself beyond liveness and a future that is already here. Theatrical mise-en-scène is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional “now” of liveness. The book is organized around ostensible objects that are in fact things-as-such and performs its theme via time-traveling, interruptions, decompositions, incompleteness, failure, geometric patterning, and above all black pages first cited in Tristram Shandy. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golub’s ongoing project of lyrically reimagining philosophy and the mise-en-scène of theatrical performance (a presence-room of consciousness) in light of one another.
Kundenbewertungen
David Markson, Kurosawa, Rivette, Jacques Roubaud, Gerald Mernane, Harry Matthews, Coen Brothers, Godard, Alain Robbe-Grillet, Gertrude Stein, Tristam Shandy, Cassavetes, Being and Time, Laurence Sterne, existentialism, Christopher Nolan