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Chinese Science Fiction

Concepts, Forms, and Histories

Nathaniel Isaacson (Hrsg.), Mingwei Song (Hrsg.), Hua Li (Hrsg.)

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Springer International Publishing img Link Publisher

Geisteswissenschaften, Kunst, Musik / Sonstige Sprachen / Sonstige Literaturen

Beschreibung

This volume brings together emerging approaches and addresses shifting paradigms in Chinese science fiction studies, offering a window on fan cultures, internet fiction, gender, eco-criticism, post-humanism and biomedical discourse. These studies present a “second wave” of Chinese sf studies, re-evaluating the canon of Chinese sf print and cinematic production, and expand the range of critical approaches to the subject. The structure of the volume is both chronological and theme-focused. These studies also demonstrate that Chinese science fiction represents a significant contribution to modern Chinese cultural production, both in terms of its value, speaking powerfully to our modern condition, and its sheer volume in terms of production and consumption. Chinese science fiction speaks to both China’s rapidly shifting reality, its political multiplicity and its formless future, voicing the anticipations and anxieties of a new epoch filled with accelerating alterations and increasing uncertainty.  

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Schlagwörter

Chinese science fiction, science fiction studies, film studies, Science Fiction, Chinese literature, fan cultures, Fantasy Fiction