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Exploring Plato’s Theory of Forms through Dramatic Perspectives in "The Republic"
Gbenga Emmanuel Adeboye
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Geisteswissenschaften, Kunst, Musik / Antike
Beschreibung
Academic Paper from the year 2024 in the subject Philosophy - Philosophy of the Ancient World, grade: 5.0, Obafemi Awolowo University, course: Dramatic Arts, language: English, abstract: Plato's Theory of Forms, a cornerstone of Western philosophy, offers a profound lens through which to examine the nature of reality. In "The Republic", Plato delves into the concept of Forms, positing that what we perceive in the physical world is but a shadow of a higher, immutable reality. This article critically analyzes Plato's Theory of Forms within the context of drama and theatre, exploring how written drama and theatrical performances serve as reflections of real-life events, albeit through a filtered lens. By examining mise en scene, actors, and media representations etc., this study reveals the intricate and symbiotic relationship between art and reality, as envisioned by Plato. Plato's Theory of Forms challenges us to question the nature of reality and the validity of our perceptions. By critically examining drama, theatre and media representations, we can gain insight into the ways in which art reflects, distorts, and interprets reality. While written drama, theatrical performances, and media representations may offer glimpses of truth, they ultimately remain shadows of a higher reality, as envisioned by Plato. Through philosophical inquiry and artistic exploration, we continue the timeless quest to apprehend the eternal Forms that lie beyond the veil of appearances.
Kundenbewertungen
Literary Studies, Performance Theory, Plato, Classical Theory and Criticism, Plato's Theory of Forms, Allegory of the Cave, Dramatic Perspectives