Cover Intermediality and Multimodality in John Barth´s "Autobiography: A Self-Recorded Fiction" (1968)

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Intermediality and Multimodality in John Barth´s "Autobiography: A Self-Recorded Fiction" (1968)

Silvia Schilling

PDF

5,99 €

Amazon iTunes Thalia.de Weltbild.de Hugendubel Bücher.de ebook.de kobo Osiander Google Books Barnes&Noble bol.com Legimi yourbook.shop Kulturkaufhaus ebooks-center.de
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Geisteswissenschaften, Kunst, Musik / Sekundarstufe I und II

Beschreibung

Essay from the year 2018 in the subject Didactics - English - Literature, Works, grade: Pass with distinction, Uppsala University (English Department), course: MA Hauptseminar: Recent Developments in Literary Studies, language: English, abstract: This essay analyses John Barth´s short story "AUTOBIOGRAPHY: A Self-Recorded Fiction”, which was published inf the short story collection ´Lost in the Funhouse´ in 1968. The story is examined from the perspective of an intermediality / multimodality scholar. Among other things, the essay discusses the employment of several media / modes within the story and reveals limits inherent to the theories of intermediality and multimodality, pointing to the concept of heteromediality as a possible alternative.

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Schlagwörter

Orality, Orality in writing, Mode, Medium, Multimodality, Visuality, John Barth, Intermediality, Lost in the Funhouse, Heteromediality