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Memory and Identity in Modern and Postmodern American Literature
Lovorka Gruic Grmusa, Biljana Oklopcic
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Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft
Beschreibung
This book discusses how American literary modernism and postmodernism interconnect memory and identity and if, and how, the intertwining of memory and identity has been related to the dominant socio-cultural trends in the United States or the specific historical contexts in the world. The book’s opening chapter is the interrogation of the narrator’s memories of Jay Gatsby and his life in F. Scott Fitzgerald’s The Great Gatsby. The second chapter shows how in William Faulkner’s Light in August memory impacts the search for identities in the storylines of the characters. The third chapter discusses the correlation between memory, self, and culture in Tennessee Williams’s A Streetcar Named Desire. Discussing Robert Coover’s Gerald’s Party, the fourth chapter reveals that memory and identity are contextualized and that cognitive processes, including memory, are grounded in the body’s interaction with the environment, featuring dehumanized characters, whose identities appear as role-plays. The subsequent chapter is the analysis of how Jonathan Safran Foer’s Everything Is Illuminated deals with the heritage of Holocaust memories and postmemories. The last chapter focuses on Thomas Pynchon’s Against the Day, the reconstructive nature of memory, and the politics and production of identity in Southeastern Europe.
Kundenbewertungen
Memory and identity in modern American literature, Postmemory, Scott Fitzgerald and identity, Robert Coover and identity, Safran Foer and identity, Embodied memory, Williams and memory, Faulkner and memory, Memory and identity, The Holocaust, Robert Coover and memory, Southeastern Europe, Safran Foer and memory, Faulkner and identity, Memory and identity in postmodern American literature, Williams and identity, Pynchon and memory, Scott Fitzgerald and memory, Trauma, Pynchon and identity