Vesna Pavlovic
Vesna Pavlovic
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Geisteswissenschaften, Kunst, Musik / Fotografie, Film, Video, TV
Beschreibung
Vesna Pavlović: Stagecraft features four extensive bodies of the photographer's work, spanning from the early 2000s to today—photographs of the Yugoslav socialist modernist hotel spaces from her internationally recognized series "Hotels"; photographs of the ceremonial space of the Yugoslav Presidential Palace in Belgrade from the series "Collection/Kolekcija" and the recent "Fabrics of Socialism" and "Sites of Memory" series exploring the archives of the Museum of Yugoslav History.
The book includes critical essays that contextualize and expound on Pavlović's unique treatment of the photographic medium, in which a photographic moment is expanded to include the conditions of image making, production, documentation, and representation.
Kundenbewertungen
Yugoslavia SFRY, Curtain and Screen, In-Betweeness, Politics of Visuality, President Tito, Ceremonial Spaces, Collective Performances, XX century-on-display, Photographic Installation, Non-decisive moment, Representation, Ideology, Modern Architecture, Uncanny, Socialist Modernism, Photographic Archives, Analogue Photography, Reading the Image, Non-aligned Movement, Photography that remembers its pre-digital history, Photographic capacity to display things, Archival Image, Museum of Yugoslav History, Vacant Stage sets, Third World, Non-Place, Exhausted Medium, Spatialization of Photography, Exhibition History, Home, Artistic Research, Social Choreography, Mise-en-Scene, Collections, Contextual reading of art, Sites of Memory, Cold War, Exhibition Value, Transitory Spaces