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International Cinema and the Girl

Local Issues, Transnational Contexts

Fiona Handyside

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Geisteswissenschaften, Kunst, Musik / Fotografie, Film, Video, TV

Beschreibung

From the precocious charms of Shirley Temple to the box-office behemoth Frozen and its two young female leads, Anna and Elsa, the girl has long been a figure of fascination for cinema. The symbol of (imagined) childhood innocence, the site of intrigue and nostalgia for adults, a metaphor for the precarious nature of subjectivity itself, the girl is caught between infancy and adulthood, between objectification and power. She speaks to many strands of interest for film studies: feminist questions of cinematic representation of female subjects; historical accounts of shifting images of girls and childhood in the cinema; and philosophical engagements with the possibilities for the subject in film. This collection considers the specificity of girls' experiences and their cinematic articulation through a multicultural feminist lens which cuts across the divides of popular/art-house, Western/non Western, and north/south. Drawing on examples from North and South America, Asia, Africa, and Europe, the contributors bring a new understanding of the global/local nature of girlhood and its relation to contemporary phenomena such as post-feminism, neoliberalism and queer subcultures. Containing work by established and emerging scholars, this volume explodes the narrow post-feminist canon and expands existing geographical, ethnic, and historical accounts of cinematic cultures and girlhood.

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Fiona Handyside
Fiona Handyside

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Schlagwörter

Japanese Cinema, girls, Iranian Cinema, Auteur, teen film, identity, adolescence, Post feminism, girlhood, Germany Cinema, Girlhood, US popular cinema, Female Directors, cinema, Action Cinema, Chick-flicks, women, tween film, British Cinema, film, Music on film, Italian Cinema, child soldiers, Feminism, Argentinian Cinema, French Cinema