A Global Doll's House
Jonathan Bollen, Joanne Tompkins, Frode Helland, et al.
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Geisteswissenschaften, Kunst, Musik / Allgemeine und Vergleichende Literaturwissenschaft
Beschreibung
This book addresses a deceptively simple question: what accounts for the global success of A Doll’s House, Henrik Ibsen’s most popular play? Using maps, networks, and images to explore the world history of the play’s production, this question is considered from two angles: cultural transmission and adaptation. Analysing the play’s transmission reveals the social, economic, and political forces that have secured its place in the canon of world drama; a comparative study of the play’s 135-year production history across five continents offers new insights into theatrical adaptation. Key areas of research include the global tours of nineteenth-century actress-managers, Norway’s soft diplomacy in promoting gender equality, representations of the female performing body, and the sexual vectors of social change in theatre.
Kundenbewertungen
Nora Helmer, A Doll’s House, Norwegian theatre, Henrik Ibsen, cultural transmission, female performing body, world drama, intercultural adaptation, production history, Et dukkehjem, IbsenStage, nineteenth century theatre, gender equality, digital humanities, international performances