From Classicism to Modernism
Brian K. Etter
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Sozialwissenschaften, Recht, Wirtschaft / Sozialwissenschaften allgemein
Beschreibung
This title was first published in 2001. The last century has witnessed the ascendancy of the avant-garde in music. From Schoenberg to Boulez to Stockhausen, the avant-garde has defined the modern conception of musical creativity. Contemporary serious music demands the "e;new"e; in terms of style, form and ways of listening and hearing. Implicit in this approach is the rejection of the "e;old"e;, from the baroque to the music of the later 19th-century symphonists. Paradoxically, however, it is this "e;old"e; repertoire which contiues to dominate concert programmes. An exploration of this dichotomy lies at the heart of this book. Drawing on a wealth of European philosophical and musical texts, the author examines the origins of the avant-garde and its relation to modernity in tandem with the history of the tonal tradition.