img Leseprobe Leseprobe

Orpheus and Power

The Movimento Negro of Rio de Janeiro and São Paulo, Brazil 1945-1988

Michael G. Hanchard

PDF
ca. 44,99
Amazon iTunes Thalia.de Weltbild.de Hugendubel Bücher.de ebook.de kobo Osiander Google Books Barnes&Noble bol.com Legimi yourbook.shop Kulturkaufhaus ebooks-center.de
* Affiliatelinks/Werbelinks
Hinweis: Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.

Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Pädagogik

Beschreibung

From recent data on disparities between Brazilian whites and non-whites in areas of health, education, and welfare, it is clear that vast racial inequalities do exist in Brazil, contrary to earlier assertions in race relations scholarship that the country is a "racial democracy." Here Michael George Hanchard explores the implications of this increasingly evident racial inequality, highlighting Afro-Brazilian attempts at mobilizing for civil rights and the powerful efforts of white elites to neutralize such attempts. Within a neo-Gramscian framework, Hanchard shows how racial hegemony in Brazil has hampered ethnic and racial identification among non-whites by simultaneously promoting racial discrimination and false premises of racial equality.


Drawing from personal archives of and interviews with participants in the Movimento Negro of Rio de Janeiro and Sao Paulo, Hanchard presents a wealth of empirical evidence about Afro-Brazilian militants, comparing their effectiveness with their counterparts in sub-Saharan Africa, the United States, and the Caribbean in the post-World War II period. He analyzes, in comprehensive detail, the extreme difficulties experienced by Afro-Brazilian activists in identifying and redressing racially specific patterns of violation and discrimination. Hanchard argues that the Afro-American struggle to subvert dominant cultural forms and practices carries the danger of being subsumed by the contradictions that these dominant forms produce.

Weitere Titel von diesem Autor
Michael G. Hanchard

Kundenbewertungen

Schlagwörter

Colonialism, Racism in the United States, Civil society, Culture of Brazil, Zambo, Racialism, Racism, Monopoly on violence, Black feminism, Black people, Négritude, Racial politics, Social movement, Scientific racism, Social inequality, Criticism of capitalism, Sociology of race and ethnic relations, Hegemony, Racial democracy, Apartheid, Gilberto Freyre, Racism in Brazil, Neocolonialism, Eugene Genovese, Oscar Lewis, Activism, Class analysis, Slavery, The Peculiar Institution, Ideology, Black capitalism, Counterhegemony, African socialism, Racialization, Military dictatorship, Political correctness, False consciousness, Fernando Henrique Cardoso, Frantz Fanon, Abolitionism, Institutional racism, Slavery in Brazil, Black nationalism, Class conflict, Black Power movement, Harold Cruse, Afrocentrism, Left-wing politics, Antonio Gramsci, African-American Civil Rights Movement (1954–68), Anti-imperialism, Crisis of Leadership, Oppression, Orlando Patterson, Umbanda, Womanism, African National Congress, Afro-Brazilians, Symbolic power, Mulatto, Racial segregation, Person of color, Black Power, Student Nonviolent Coordinating Committee, Racial integration, Zumbi, Decolonization, Culturalism, The Wretched of the Earth, Politics