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Symbol and Truth in Blake's Myth

Leopold Damrosch

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Allgemeine und Vergleichende Literaturwissenschaft

Beschreibung

In a controversial examination of the conceptual bases of Blake's myth, Leopold Damrosch argues that his poems contain fundamental contradictions, but that this fact docs not imply philosophical or artistic failure.

Originally published in 1981.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Mythology, Scholasticism, Paul Ricœur, Leveling (philosophy), A Divine Image, Divine retribution, Spiritual body, Religious symbolism, Theory, Enitharmon, Nominalism, Deity, Relativism, Self-love, Dogmatic theology, Reality principle, Illustration, Metaphor, Demiurge, Morality, Dualism, Positivism, Søren Kierkegaard, Theosophy, Good and evil, The True Word, Jehovah, Consciousness, Doctrine of signatures, Natural religion, Puritans, Tharmas, Intentionality, God, Philosophy, Romanticism, Urizen, Apophatic theology, Narcissism, Immanence, Antinomianism, Luvah, Exegesis, Divine law, On Truth, Solipsism, Theology, Idealism, Urthona, Ex nihilo, Theism, Suspension of disbelief, Allegory, Creation myth, Neoplatonism, Mysticism, The Marriage of Heaven and Hell, Theodicy, Parable, Plotinus, Thought, Palamabron, Aphorism, A. E. Waite, Religion, Superiority (short story), Simile, William Blake, Poetry, Scientism