The Matrix of Modernism
Sanford Schwartz
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Geisteswissenschaften, Kunst, Musik / Allgemeine und Vergleichende Literaturwissenschaft
Beschreibung
Sanford Schwartz situates Modernist poetics in the intellectual ferment of the early twentieth century, which witnessed major developments in philosophy, science, and the arts. Beginning with the works of various philosophers--Bergson, James, Bradley, Nietzsche, and Husserl, among others--he establishes a matrix that brings together not only the principal characteristics of Modernist/New Critical poetics but also the affiliations between the Continental and the Anglo-American critical traditions.
Originally published in 1985.
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Romanticism, Idealism, Literary criticism, Bernard Bosanquet (philosopher), Metaphor, Aestheticism, Henri Bergson, Intentionality, Positivism, Subjectivism, Theory of Forms, The Philosopher, New Thought, Poetics (Aristotle), Fictionalism, Philosophy, Wallace Stevens, Herbert Read, Archetype, Conventionalism, Philosophical realism, Invention, Jeremiad, Multitude, Historicism, Antinomy, Modernism, Pragmatism, Realism (arts), Aesthetic Theory, Ideogrammic method, Dissociation of sensibility, T. E. Hulme, Antithesis, Poetry, Imagism, Post-structuralism, Ezra Pound, Modern philosophy, Persona, Appearance and Reality, Consciousness, Paul Ricœur, Logical Investigations (Husserl), Mutatis mutandis, Term logic, Petrarch, Dialectic, Thought, Edmund Husserl, Primitivism, Reality, Irving Babbitt, Philosopher, Linguistic system, Etymology, Nominalism, Simile, F. H. Bradley, Critique, Modernist poetry, Critical Essays (Orwell), Hegelianism, Literary theory, G. E. Moore, Thomism, Objective correlative, Hans Vaihinger, New Criticism, Metonymy