Leseprobe
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English Poetry of the First World War
John H. Johnston
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Geisteswissenschaften, Kunst, Musik / Allgemeine und Vergleichende Literaturwissenschaft
Beschreibung
The author deals with the shock of World War I as it was registered in the work of Rupert Brooke, Siegfried Sassoon, Edmund Blunden, Wilfred Owen, Isaac Rosenberg, Herbert Read, and David Jones. He finds in Read and Jones the culmination of a tendency away from personal lyric response toward formal control and a positive vision.
Originally published in 1964.
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Kundenbewertungen
Trivium, Verisimilitude (fiction), Warfare, J. C. Squire, World War I, The Love Song of J. Alfred Prufrock, Sonnet, Narrative, Dulce et decorum est pro patria mori, Edward Marsh (polymath), Rupert Brooke, Y Gododdin, English poetry, Grand style (rhetoric), World War II, Vocation (poem), War poet, Herbert Read, Edmund Blunden, Epigraph (literature), Epic poetry, Poetry, Narrative poetry, On Receiving News of the War, Walter Raleigh, Bathos, War, F. S. Flint, T. E. Hulme, Neo-romanticism, T. S. Eliot, Shakespeare's sonnets, A. E. Housman, Prose, Dulce et Decorum est, Julian Grenfell, Thomas Malory, Futility (poem), Superiority (short story), Harold Owen, Anthem for Doomed Youth, War novel, Georgian Poetry, The Rime of the Ancient Mariner, Romanticism, Pacifism, Siegfried Sassoon, Elegiac, Laurence Binyon, Strange Meeting (poem), The Wars, Epigram, On War, Alfred Noyes, In Parenthesis, Henri Barbusse, Slough of Despond, Aeneid, Internal rhyme, William Shakespeare, Ezra Pound, Battle of Loos, Louis MacNeice, Robert Nichols (poet), John Clare, Le Morte d'Arthur, Bugle call, Of Modern Poetry, Isaac Rosenberg, Wilfred Owen