Leseprobe
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Dancing with the Revolution
Elizabeth B. Schwall
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The University of North Carolina Press 
Geisteswissenschaften, Kunst, Musik / Pädagogik
Beschreibung
Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cuban dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases.
As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.
Kundenbewertungen
race relations in Cuba, Ballet Nacional de Cuba, censorship in Cuba, Conjunto Folklórico Nacional de Cuba, Eduardo Rivero, Concert dance in Cuba, Caridad Martínez, Alicia Alonso, Luz María Collazo, Rogelio Martínez Furé, gender and sexuality in Cuba, Cuban choreography, Cuban cultural policy, privilege in Cuba, Ballet de Camagüey, Danza Contemporánea de Cuba, class hierarchies in Cuba, Alberto Alonso, Cuban dance internationalism, Fernando Alonso, blackness in Cuba, whiteness in Cuba, Lorna Burdsall, dance education for the masses in Cuba, Escuela Nacional de Arte, Ramiro Guerra, Isidro Rolando