Leseprobe
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Faulkner and Print Culture
Jay Watson (Hrsg.), James G. Thomas (Hrsg.), Jaime Harker (Hrsg.)
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University Press of Mississippi 
Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft
Beschreibung
With contributions by Greg Barnhisel, John N. Duvall, Kristin Fujie, Sarah E. Gardner, Jaime Harker, Kristi Rowan Humphreys, Robert Jackson, Mary A. Knighton, Jennifer Nolan, Carl Rollyson, Tim A. Ryan, Jay Satterfield, Erin A. Smith, Jay Watson, and Yung-Hsing Wu
William Faulkner's first ventures into print culture began far from the world of highbrow New York publishing houses such as Boni & Liveright or Random House and little magazines such as the
Double Dealer. With that diverse publishing history in mind, this collection explores Faulkner's multifaceted engagements, as writer and reader, with the US and international print cultures of his era, along with how these cultures have mediated his relationship with various twentieth- and twenty-first-century audiences.
These essays address the place of Faulkner and his writings in the creation, design, publishing, marketing, reception, and collecting of books; in the culture of twentieth-century magazines, journals, newspapers, and other periodicals (from pulp to avant-garde); in the history of modern readers and readerships; and in the construction and cultural politics of literary authorship.
Several contributors focus on Faulkner's sensational 1931 novel
Sanctuary to illustrate the author's multifaceted relationship to the print ecology of his time, tracing the novel's path from the wellsprings of Faulkner's artistic vision to the novel's reception among reviewers, tastemakers, intellectuals, and other readers of the early 1930s. Other essayists discuss Faulkner's early notices, the
Saturday Review of Literature,
Saturday Evening Post, men's magazines of the 1950s, and Cold War modernism.
Kundenbewertungen
DETECTIVE STORIES, FEMINIST HEROINES, PULP PUBLISHING, ART, LITERARY WORLD, MARKETING, FEMALE SEXUALITY, Absalom Absalom!, PARODY, ALEXANDER WOOLLCOTT, CARICATURE, MODERNISM, EARLY NOTICES, A Fable, Yoknapatawpha, Boni & Liveright, PSYCHOANALYSIS, WILLIAM FAULKNER, literary criticism, Literature, PEARL HARBOR, STATE DEPARTMENT, BIL BAIRD, Sanctuary, LAWRENCE KUBIE, POLITICS, pulp fiction, COLD WAR, literature, CANONIZATION, SANCTUARY, SEXUALITY, Light in August, Random House, HARRISON SMITH, BONI & LIVERIGHT, LITERARY AUTHORSHIP, FAULKNER’S BIOGRAPHY, MEN’S MAGAZINES, Faulkner Studies, WOMEN’S MAGAZINES, MIDDLEBROW, PUBLISHING INDUSTRY, EMBODIMENT, WORLD WAR II, DETECTIVE FICTION, BOOK JACKETS, QUEER THEORY, AESTHETIC PURITY, RECEPTION HISTORY, READING, publishing, POSTWAR MASCULINITY, SIGNET/NEW AMERICAN LIBRARY, B-SIDE, PARATEXT, MODERN LIBRARY, PULP, FAULKNER, LITERARY FAME, SATURDAY REVIEW OF LITERATURE, E. MCKNIGHT KAUFFER, DOMESTIC FICTION, periodicals, MAGAZINES, TRANSLATION, INTERTEXTUALITY, ELLERY QUEEN, PUBLISHING, Mississippi, American South, BOOK-OF-THE-MONTH CLUB, KNIGHT’S GAMBIT, visual culture, VIKING PORTABLE, MASS CULTURE, PRINT CULTURE, Sound and the Fury, HOMOSOCIAL BONDING, MIGUEL COVARRUBIAS, BENNETT CERF, magazines, PULP MAGAZINES, RANDOM HOUSE, HENRY SEIDEL CANBY, HISTORY OF THE BOOK, mass culture, BOOK HISTORY, GENDER, IDENTIFICATION, Cold War, SATURDAY EVENING POST, RAYMOND CHANDLER, VOCATION, modernism