Leseprobe
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Faulkner and Print Culture
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University Press of Mississippi 
Geisteswissenschaften, Kunst, Musik / Englische Sprachwissenschaft / Literaturwissenschaft
Beschreibung
With contributions by Greg Barnhisel, John N. Duvall, Kristin Fujie, Sarah E. Gardner, Jaime Harker, Kristi Rowan Humphreys, Robert Jackson, Mary A. Knighton, Jennifer Nolan, Carl Rollyson, Tim A. Ryan, Jay Satterfield, Erin A. Smith, Jay Watson, and Yung-Hsing Wu
William Faulkner's first ventures into print culture began far from the world of highbrow New York publishing houses such as Boni & Liveright or Random House and little magazines such as the
Double Dealer. With that diverse publishing history in mind, this collection explores Faulkner's multifaceted engagements, as writer and reader, with the US and international print cultures of his era, along with how these cultures have mediated his relationship with various twentieth- and twenty-first-century audiences.
These essays address the place of Faulkner and his writings in the creation, design, publishing, marketing, reception, and collecting of books; in the culture of twentieth-century magazines, journals, newspapers, and other periodicals (from pulp to avant-garde); in the history of modern readers and readerships; and in the construction and cultural politics of literary authorship.
Several contributors focus on Faulkner's sensational 1931 novel
Sanctuary to illustrate the author's multifaceted relationship to the print ecology of his time, tracing the novel's path from the wellsprings of Faulkner's artistic vision to the novel's reception among reviewers, tastemakers, intellectuals, and other readers of the early 1930s. Other essayists discuss Faulkner's early notices, the
Saturday Review of Literature,
Saturday Evening Post, men's magazines of the 1950s, and Cold War modernism.
Kundenbewertungen
MODERN LIBRARY, Boni & Liveright, STATE DEPARTMENT, HOMOSOCIAL BONDING, periodicals, literary criticism, MODERNISM, PULP MAGAZINES, VIKING PORTABLE, MASS CULTURE, QUEER THEORY, INTERTEXTUALITY, PULP PUBLISHING, Sound and the Fury, DETECTIVE FICTION, HENRY SEIDEL CANBY, publishing, ELLERY QUEEN, modernism, EARLY NOTICES, LITERARY WORLD, BOOK-OF-THE-MONTH CLUB, PARODY, CARICATURE, MIDDLEBROW, AESTHETIC PURITY, MEN’S MAGAZINES, Literature, POSTWAR MASCULINITY, SANCTUARY, A Fable, ART, COLD WAR, EMBODIMENT, PUBLISHING, TRANSLATION, FEMINIST HEROINES, READING, SIGNET/NEW AMERICAN LIBRARY, Random House, Sanctuary, PSYCHOANALYSIS, LAWRENCE KUBIE, FAULKNER’S BIOGRAPHY, RAYMOND CHANDLER, ALEXANDER WOOLLCOTT, DETECTIVE STORIES, BOOK JACKETS, PULP, WOMEN’S MAGAZINES, IDENTIFICATION, WORLD WAR II, Absalom Absalom!, Yoknapatawpha, BENNETT CERF, MARKETING, B-SIDE, PEARL HARBOR, KNIGHT’S GAMBIT, mass culture, MIGUEL COVARRUBIAS, pulp fiction, POLITICS, RECEPTION HISTORY, SEXUALITY, Cold War, BIL BAIRD, SATURDAY EVENING POST, magazines, BOOK HISTORY, GENDER, PRINT CULTURE, literature, Faulkner Studies, MAGAZINES, SATURDAY REVIEW OF LITERATURE, VOCATION, CANONIZATION, BONI & LIVERIGHT, HISTORY OF THE BOOK, LITERARY AUTHORSHIP, PARATEXT, E. MCKNIGHT KAUFFER, RANDOM HOUSE, FEMALE SEXUALITY, HARRISON SMITH, visual culture, Mississippi, LITERARY FAME, American South, FAULKNER, PUBLISHING INDUSTRY, DOMESTIC FICTION, Light in August, WILLIAM FAULKNER