Eurotrash

Christian Kracht

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Belletristik/Erzählende Literatur

Beschreibung

Realising he and she are the very worst kind of people, our unnamed middle-aged narrator embarks on a highly dubious road trip through Switzerland with his terminally ill and terminally drunken mother. They try unsuccessfully to give away or squander the fortune she has amassed from investing in armament industry shares. Along the journey they bicker endlessly over the past, throw handfuls of francs into a ravine and exasperate the living daylights out of their long-suffering taxi driver. The crimes of the twentieth century are never far behind, but neither is the need for more vodka.
Eurotrash is a bitterly comic, vertiginous mirror-cabinet of familial and historical reckoning. Kracht's novel is a narrative tour-de-force of the tenderness and spite meted out between two people who cannot escape one another.

Rezensionen


<i>I</i> <i>mperium</i> is astonishing and captivating, a tongue-in-cheek Conradian literary adventure for our time.

Christian Kracht is a master of the well-formed sentence, the elegance of which conceals horror. His novels involve Germany, ghosts, war and madness, and every conceivable fright, but they are also full of melancholy comedy, and they all hide a secret that one never quite fathoms.
s fictionalizing history in order to question the validity of history, or fictionalizing himself in order to question the validity of self, it is by now apparent to me and to his many readers that Christian Kracht is the great German-language writer of his generation.</p>
<p>Praise for Christian Kracht:<br><br>Whether he'

<i>The Dead</i> is a story of love and sadness in times when the weak were broken by the unforgiving ideologies of fascism and National Socialism . . . I read <i>The Dead</i> twice in a row, first for the story and then for the beauty of the prose.
s <i>Conversations of German Refugees</i> into an orange seed. Or perhaps into a coconut? ... An adventure novel. No doubt. That there even is still such a thing
To say a word about Christian Kracht's <i>Imperium</i> would be like engraving Goethe'

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Schlagwörter

ben lerner, dysfunctional family, karl ove knausgaard, thomas bernhard, translated literature, sarah bernstein, olga tokarczuk, mitteleuropa, arrested development, grand budapest hotel, john fosse