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Reading Uncreative Writing

Conceptualism, Expression, and the Lyric

David Kaufmann

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Springer International Publishing img Link Publisher

Geisteswissenschaften, Kunst, Musik / Allgemeine und Vergleichende Literaturwissenschaft

Beschreibung

This book examines Uncreative Writing—the catch-all term to describe Neo-Conceptualism, Flarf and related avant-garde movements in contemporary North American poetry—against a decade of controversy. David Kaufman analyzes texts by Kenneth Goldsmith, Vanessa Place, Robert Fitterman, Ara Shirinyan, Craig Dworkin, Dan Farrell and Katie Degentesh to demonstrate that Uncreative Writing is not a revolutionary break from lyric tradition as its proponents claim. Nor is it a racist, reactionary capitulation to neo-liberalism as its detractors argue. Rather, this monograph shows that Uncreative Writing’s real innovations and weaknesses become clearest when read in the context of the very lyric that it claims to have left behind.

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Schlagwörter

The Body of Michael Brown, avant-garde poetry, neo-conteptualism, racism and neo-conceptualism, Gone with the Wind, anti-capitalist poetry, Flarf, cultural privilege, neo-liberalism and neo-conceptual poetry, affect theory, aesthetic theory