Re-Composing YouTube

Vernacular Musical Aesthetics in the Digital Age

Jonas Wolf

PDF
ca. 0,00 (Lieferbar ab 30. September 2024)
Amazon iTunes Thalia.de Weltbild.de Hugendubel Bücher.de ebook.de kobo Osiander Google Books Barnes&Noble bol.com Legimi yourbook.shop Kulturkaufhaus
* Affiliatelinks/Werbelinks
Hinweis: Affiliatelinks/Werbelinks
Links auf reinlesen.de sind sogenannte Affiliate-Links. Wenn du auf so einen Affiliate-Link klickst und über diesen Link einkaufst, bekommt reinlesen.de von dem betreffenden Online-Shop oder Anbieter eine Provision. Für dich verändert sich der Preis nicht.

transcript Verlag img Link Publisher

Sozialwissenschaften, Recht, Wirtschaft / Medienwissenschaft

Beschreibung

YouTube features a wide array of multimodal musical figurations, including fan-made music videos, musical aestheticizations of pre-circulating content, and musical self-performances. Jonas Wolf explores open-ended forms of musical creative relay on YouTube, delving into formal, imitative, affective, and (non-)institutional aspects of networked media remix and (self-)aestheticisation. Beyond creating value for non-musical fields of discourse, this study is directed at filling a gap in a largely ocularcentric domain of study. It provides a concise theory of vernacular composition within our time's total digital archive that accounts for socio-aesthetic phenomena and their relation to systems of knowledge, control, and discourse.

Weitere Titel von diesem Autor

Kundenbewertungen

Schlagwörter

Digital Media, Popular Culture, Composition, Musical Aesthetics, Media Studies, Media Aesthetics, Vernacular, Remix Culture, Music, Sound, Social Media, Media, Musicology