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Chinese Narrative

Critical and Theoretical Essays

Andrew H. Plaks (Hrsg.)

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Princeton University Press img Link Publisher

Geisteswissenschaften, Kunst, Musik / Sprach- und Literaturwissenschaft

Beschreibung

Although Chinese narrative, and especially the genres of colloquial fiction, have been subjected to intensive scholarly scrutiny, no comprehensive volume has provided a framework that would permit an overall view of the tradition. The distinguished contributors to this volume have taken an important first step in making possible the consideration of Chinese narrative at the level of comparative and general literary scholarship.

Originally published in 1977.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

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Schlagwörter

Allegory, Ezra Pound, The Four Books, Archetype, Hu Shih, Journey to the West, Predestination, Xuanzang, Memoir, Erudition, Cao Xueqin, Chinese literature, M. H. Abrams, Anatomy of Criticism, Guan Yu, Henri Bergson, Six Dynasties, Creative writing, Novelist, Literary fiction, Scholasticism, Antithesis, Richard Gregg (social philosopher), Traditional story, Writing, Yin and yang, Zhuge Liang, Literary theory, Confucianism, Fiction, Irony, Narrative, Poetry, Historiography, Aphorism, Biography, Filial piety, Taoism, Zhu Bajie, Satire, E. M. Forster, Historical fiction, Confucius, Anecdote, Adage, Genre, Romanticism, Book, Jin Ping Mei, Literature, King of Wu, Magic square, Superiority (short story), Apologue, Narration, Dream of the Red Chamber, Novel, Water Margin, Pseudohistory, Good and evil, Picaresque novel, Aesthetic Theory, Juvenal, Chih, Disenchantment, Philosophical language, Liu Bei, Non-fiction, Laurence Sterne, Political satire